The Toast of Boise

By Sikivu Hutchinson

From, Rock ‘N’ Roll Heretic: The Life and Times of Rory Tharpe

After years of being on the road touring, running down the known universe like a radioactive bloodhound, Rory had stopped checking miles on highway signs.  In these Podunk nooks and crannies she could smell the hair trigger sullenness, the boozy, clawing nicotine cloud despair of the audience before she even stepped on stage; single out the cesspit desperation of the last-chance-for-a –Saturday-night fuck nail biters. All of the second, third, fourth cousins once removed from the manager, the bartender, the janitor who’d coaxed them to come in before last call. She could spot the townies searching for a cozy spot to settle in and get intimately shitfaced with their Jack Daniels.  Looking past them, she could always find a woman to flirt with in her head; a random face to fixate on, to power her through even if the crowd was gruff, listless, evil.  Katy had taught her to find a sweet spot of Zen and stick with it; otherwise you’ll go crazy fixating on what devilment the third row was hatching for you.

There was a gnawing unrest that crept in between gigs.  A dingy coda when the band shape shifted and went back to their lives in shared apartments mired in two months back rent, dirty sheets alive with the residue of old trysts, one night stand phantoms strangling them in their sleep.  Rory could never sleep more than four hours without jolting awake expecting a visit from Katy. Could never settle into the bland set of rooms she’d leased in Baltimore, forever aiming to nestle in, do quotidian things like grow flowers, snoop on her neighbors, laze on the porch in the sun watching the cream of the Negro middle class roll by in a flurry of ambition. She had sold her first house in the late sixties, when riots convulsed D.C. after Dr. King’s assassination. She’d watched stores burn to the ground on the big new color TV she bought with her Memphis Soul Revue money. In the midst of death and chaos it had been one of her best years financially.  The Revue was a seven city tour that dragged through the winter and spring but kept her and her backup singers in Italian shoes, tailored suit dresses, and the stacked to the heavens dos she dyed beet red to keep tongues clacking and ticket sales flowing.  For one set she dueled with Joe Tex and Wilson Pickett, scatting nimbly up and down the neck of her guitar to show who was boss.   Better than fucking, better than the womb kissed tranquility of a soft bed after twelve hours on her feet. Better than a hundred things she could name but the smell of Marie’s neck after she’d washed, pressed and pin curled her hair with that heavenly dab of water and Dixie Peach.

Under the forward churn of the bus, she tried to keep thoughts of Marie at bay; squashed, an ant between her fingers.  It was in idle moments, down moments, frittered away moments that she wished she could get back from the Fates that Marie dribbled down on her in pieces. The way she laughed in half-snort. The way she whistled, winked at Rory, cooing, “hey sexy”, mock-serious during her solos, keeping her going with wisecracks about the opening band’s body odor, their prima donna demands for foot rubs, weed or pigs in a blanket for dinner.  Back then, when she was headlining four out of the five shows she booked, she could pick who opened for her.  Russ would compile a short list and a long list and she and Marie would rank the contestants on chops, looks, manners, charm, fuckability, and who seemed closer to Jesus.

The night Dr. King was killed, they’d been deciding between an Alabama R&B group and a rockabilly outfit from Scotland, dancing buzzed to “Hurdy Gurdy Man” in the living room, kids playing stickball in the street outside the house. The first scream of grief was a gut punch. Then, the neighborhood emptied out onto the lawns, driveways, sidewalks in blind cacophony. The kids going silent amidst the disbelieving wails, mounting rage, a dark pit of sorrow opening up before them. Every radio on the block synchronized to the blow by blow report of .

Marie slumped onto the floor, gripping her brown nylons in knots like they were the only things that could keep her in one piece. “Motherfuckers, they got him,” she moaned.  “Dirty Klan motherfuckers took him out. I knew he wouldn’t be able to go back down there without getting killed.”

“Shit,” Rory whispered, immobilized on the plastic slipcover couch that had barely seen action since she’d gone on tour.

“Screw those bagpipe playing motherfuckers, we going Black all the way with this next one.”

“They don’t play bagpipes girl, they’re more like, uh, Carl Perkins.”

“Well, they white and the other group is black and I know they ain’t gonna ride our backs to an American audience while Dr. King is lying dead in Memphis.”

Marie had more savvy for sniffing out band strategy and compatibility.  That was how Rory hooked up with Butch, blues improv plinker extraordinaire. Always had a raised eyebrow, surveying life with crotchety, salty Baby Ruth bar disdain.  Marie spotted him when they were doing a one-off in Newark. He was seesawing between cajoling and banging on his piano, a flash of kinetic brilliance among a group of milquetoast dead-enders that would’ve played for a dime bag.  She stole him right from under the nose of the band’s pothead front man. Dug his directness instantly. Tall, rat’s ass thin, chain smoking nasty clove cigarettes, his wavy black hair teased into a ponytail streaked with gray. Maybe if she and Marie had been curious and he’d had more meat on his bones they would have done him. She hadn’t been thinking about adding a piano to the mix but Butch was a good stop gap for not having a bass player.

After eight years together, they were going to be the toast of Boise for two weeks.

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White Lady Coin of the Realm

janis-joplin.jpg

By Sikivu Hutchinson (from Rock ‘N’ Roll Heretic: The Life and Times of Rory Tharpe)

They got up from their work stations to see the commotion outside the window, pressing into the pane, agitated, fingers hot and stiff as dynamite sticks from four solid hours of dialing for Jesus dollars.
Would you look at that. That’s her. White woman they play 24-7, one always trying to sound blacker than us.
Trying to sound? Bitch outright steals.
Ain’t nothing halfway about it.
Ears bleeding, girl.
Radio blowing up.
Every time that so-called new song of hers comes on, I’m like, where the fuck’s my .38 Special?
I’d like to scoop out them dj’s brains with a butter knife my damn self.
Girl looks smaller, raggedier and paler in real life.
Rich as sin. See all the bodyguards she brought with her and that tricked out car?                You read what they said about her so-called ‘net worth’ in Billboard?
Ain’t nobody read that crap but you.
Bet she never worked a hard day in her life and look where she is. Making millions off of buck dancing.
Must be real nice.
Don’t matter that she butt ugly. All you gotta do is be white and wet behind the ears.           That’s the gold-plated ticket. They still making movies and shit about Marilyn Monroe and her no-acting flat ass been dead as a doorknob forever. What they ever done on Ethel Waters, Pearl Bailey, Lena Horne?
Difference with them is they black and still breathing. Nothing better than a dead bleach blond white girl.
Whole industry built on it. The young ones shit gold, the old ones wanna be more holy than Jesus. Talked to a white woman today who wanted me to come pray with her on the plantation. Crops failing, defaulted on her mortgage, kids flown the coop. Shocked that none of the neighborhood Negroes would drop all they shit to go wait on her.
Should’ve taken the money and run. Seventy five percent for you and twenty five percent for boss lady.
Hold on, here she comes.
Patton strode in with a new hat, a bowler tipped cautiously over her left eye, flashing insomniac red after a night poring over Accounts Receivable ledgers. “How’s the numbers coming girls?”
“Just fine.”
“Today’s top recruiter gets a front row seat at the revival concert with Miss Tharpe.”
“Oh gee.”
“Don’t be ungrateful.”
“We wouldn’t dream of it.”
“What’s that white lady here for?”
“Don’t worry about her. Take your break and give me a solid three hours then you can be nosy.”
The women grumbled and settled back into their seats. One stayed standing, winding a salt and pepper lock of freshly pressed hair around her trigger finger.
“I can’t do three hours.”
“Sure you can.”
“I got to pick up my babies.”
“You said that last time, Sharla. We found out you went to the track instead.”
The women guffawed, sucked their teeth. “We know they was running some good horses, girl,” one said, ribaldly stressing her words. “And if you got to choose between babies and horses—”
“Can’t do three hours.”
“Calm down,” Patton said, the vein on her forehead starting to throb.
“What’s the white lady here for?” They asked again.
“Business.”
“What kind of business?”
“That’s not your concern.”
“You can’t tell us what’s our concern. We work up in here day in day out nine, ten hours a pop and y’all keeping secrets about who’s really running this joint, this church.”
“There aren’t any secrets about who’s running the church, Sharla. It’s all part of the public record. And maybe you’re forgetting that you get a regular paycheck from this ‘joint’—”
“That don’t mean that you own me, or nobody else in here.”
“Whoever gave you the idea—”
“You, with the way you talk down to us.”
A phone rang in the back row, the workaday commotion, the drumbeat rustle and flow of the room sucked out in the venom of her words as the women leaned in, waiting for a response, squashing grins behind their hands, averting their eyes to hide the glimmers of glee, biting back their anticipation of a bare knuckled brawl.
“Can you get that please?” Patton said quietly.
A woman hovering in the back row picked up the phone, cleared her throat with fanfare, and began her spiel, keeping her gaze on Patton.
“Now,” Patton said, easing onto the table at the head of the room, spic and span pinstripe blazer flaring up gently around her waist. She took in the women one by one, lingering on the more hardened faces, coaxing with pregnant pause. “Our numbers are up but we still need a push to meet our monthly target of one hundred sanctified subscribers who’d be willing to take that extra step and dig a little bit deeper into their pockets, purses and safe deposit boxes before the year is out—”
The woman on the phone stopped her conversation. “I don’t think you heard her, ma’am.”
“In addition to the glory from God, they can count anything they donate as a tax write-off.”
Sharla picked up her purse and moved toward the door. “I said, who’s propping y’all up?”
“Stop talking nonsense—”
“You brought that guitar dyke, now you got that skanky white woman don’t know her head from a hole in the ground when it comes to music to turn tricks for these church revivals while we’re busting our butts with no benefits, retirement or overtime.”
Patton stood up, the life going out of the room, a dying baby bird. “You want to make this into a career with benefits then step up and get serious. You want to talk about busting butts? The Pastor and I are here at hours you didn’t even know existed, keeping the light, heat and water on so you have a place to work, bring your babies if you need to. Remember, ladies, we family.”
“Right, and you the daddy.”
“If I need to be. Whatever I’m called to do.”
“Ain’t that a blip. Growing yourself a pair just like the other peckerwood crooks funding you.”
“Her’s are bigger,” A trembling voice piped up from the back.
A few of the women cackled, then fell silent, turning quickly to their phones in synchronized clatter.
“Clever,” Patton said. “What did God say to Lazarus?” She picked up a phone receiver, playing with the twisted chord. “A paid day off for anyone who knows.”
“Can you give us a hint, Miss lady?”
“Give you a hint about what?”
Reverend Divinity swept into the room with Jude, the white lady, her freshly dry-cleaned minister’s robe on, towering over the white woman blinking wide-eyed at the neat rows of rotary phones, hold buttons flashing like fangs in a maw.
“Miss Lady here is quizzing us about bible knowledge,” Sharla said.
“I’m sorry but I didn’t know you had a new name,” Divinity said.
“I don’t, Pastor, she’s just forgetting—”
“My place? Some of us were wondering where y’all are getting the money to run this thing.”
“Speak for yourself, girl, we just wanna get paid.”
Jude smiled, giddy as a kid lazing through the aisles of a candy store. Divinity clapped her hands. “Some of y’all may know Jude here, Jude Justice, the singer. Well, she’s interested in learning more about what we do. Wants to give to a needy family. Get involved with our program of redemptive education.”
“Just show me the way,” Jude blurted out. “Like I said, I’ve been a longtime admirer of your radio show on that televangelist network thing. Parents got it on all the time whenever I call, which granted ain’t often. It’s better than any of that other Good Ol’ Boy guilt trip shit, I mean stuff, they got on there. Sorry, ladies. I’m always a tad uncouth before dinnertime.”
“Like a zoo animal,” Divinity said. “We don’t have any red meat here.”
“You got me on that one. Looks like you running a pretty tight operation here.”
“You’re lucky. Not many folks get a guided tour of our offices.”
“Then I feel very blessed to spend time with you lovely ladies.”
Patton grunted. “Excuse us,” she said, motioning for Divinity to go into the hallway. She closed the door behind them. “How much is she writing the check for?”
“Undisclosed. At least five figures.”
“Her ass can give more than that.”
“Slow down, baby. Never heard you get vulgar like that before.”
“What’s she doing here, Divinity? The girls are already riled up.”
“Why?”
“A few of them think you’re a front for white boys like Sprat.”
“They’ll have a field day with Jude then.”
“Careful. This isn’t a game.”
Divinity reached over, plucking invisible lint from Patton’s lapel. “I’m depending on you to keep the ship together.”
“Right, I just need to know what your intentions are with her.”
“She’s got money, influence, and she’s a seeker. No mystery.”
“What’s this about her looking for a family to sponsor?”
“Woman ain’t no spring chicken. Filthy rich, no kids. Feds, lawyers circling for the kill. Thinks country Negroes are a good investment opportunity.”
Patton waited for Divinity to continue. Divinity didn’t flinch, qualify or reframe. A drowning kitten caterwaul went up from behind the door. Jude was singing, urging the women to join her, butchering another spiritual in a raspy incantation. Patton imagined the knives in their eyes. Decades of biting down silently on bitterness chewing them up, cyanide in their guts from mopping up the piss of all the Judes that had crowded their lives since birth.
Divinity ignored the sound, turning her attention to a ringing phone in her office.
“I have an appointment with the board. Keep the white girl occupied until I’m through.”
“Occupied with what?”
“You’re a mind reader. I never need to tell you anything.”
Divinity took a step back, giving Patton an approving onceover. Patton drank in her curdled perfume, the familiar stench filling the hallway, the dark, teasing outline of a perimenopausal mustache playing on her lip. The years they’d been together knotted around them invisibly, burnt vines in a forest crumbling to ashes. Who would die first? Who would look up at the victor in gloating lamentation?
“I always liked pinstripes on you,” she said to Patton. “Gives you that landed gentry look. By the way, I thought I heard you offering the girls a day off if they could answer a question about Lazarus.”
“You did.”
“Told you you were a mind reader. My Sunday sermon will be about resurrections. Second acts. What we get in exchange for faith. All the shit hours we’ve put into praying, hoping, wishing, groveling on our knees. Speaking of resurrections, I’ve invited the white girl to sing with Rory and the choir at the revival tomorrow night, shake her pancake ass, rake in the dough. Sprat will have a team film it. It’ll go over like gangbusters with all the Ofays who claim they love them some gospel. Burnish her street cred. Make us a national name. We’ll get first distribution rights in North America and overseas. Instant revenue stream.”
Patton pulled away from Divinity, scratching restlessly at her arms, face gaunt, whittled down to a rusted nub of suspicion. “She shouldn’t be here. You didn’t hear them. They were at my throat before you came. Now you throw her into the mix. The treachery of a white woman is ten times worse than a white man for some of them up in there.”
“Then we’ll use it to our advantage. Which one of them doesn’t want to see her get her ass whupped…figuratively that is.”
“You know it ain’t figurative.”
“Before I was ordained, the head pastor of this church used to take me to cockfights on the low. Used to love to see the birds dance before they ripped the shit out of each other. Said it was training before you graduated to bigger animals. We’ll give ‘em a little training tomorrow night.”

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Lobotomy Wings

By Sikivu Hutchinson (From Rock ‘N’ Roll Heretic)

There were things you could do with dead bodies that were most exhilarating. Things  Katy had only dreamed of as a girl, lusting after the medical instruments the white boys tinkered with at the clinicians’ school she’d been a janitor at long before the fact of Rory’s birth. To study the fledgling path of disease; how it blossomed, zig zagged, sunk its teeth in, nestled, plotting for decades until climax, gloating, victorious. She’d watched her two brothers waste away and die from tuberculosis and been curious. Their once robust, always moving at warp speed bodies turning to dust right in front of her. Bodies that loved cheating at stick ball and sunset lake swims and melted cheese on their County fair hot dogs in greasy gobs. Bodies that sucked out the lynching stares of the white people, spat them back in bullets.

She’d been curious, then mold green with envy, finally, ‘cause they sopped up all the attention, commanded a circus of bawling adults, a war council of aunts in the kitchen conjuring spells to blast them off proper to the other side. Gathered here, Dearly Beloved, to grieve sweet innocence. Their eleven and twelve year-old splendor. Their dashed manhood. What was the taste, the sound, the musical key of the Dearly Beloveds’ premature death. Did the memory of how they molested her in the outhouse go to corn meal mush, leaking into the ground, seeds planted for the next generation of boy wonders.

She’d heard the shrinks used to drill tiny holes into the skulls of the deranged to let the demons flitter flutter out into the world, releasing satanic pollution in the air, the drinking water. Sub-atomic particles that fucked up crops and livestock, feasting on easy prey. She’d spent half her life obsessed with the invisible, and now she had become them. Gratefully dead, ashes to ashes, an eighth of an eighth of an eighth of a dandelion bloom bumping around in the atmosphere.

The undertaker had cremated her in stages, as per the request she’d typed out on Rory’s manager’s Remington. A dank August Monday after her fifty fifth birthday. 1965 in full bloody bloom, and she finalized the papers in the office of the pretty, city mouse lawyer who’d sleazed up to them with his card during a Memphis revival concert.  In one part of her mind she fucked him good on a brand new waterbed with goldfish backstroking inside. In another she watched him fuck Rory then pistol-whipped him with Bugs Bunny sputtering on the TV in the background.

There were two sides of the brain and she took turns hiding from herself in one or the other.  Two sides of the brain, she told Rory, whenever she tried to dig herself out from a gun barrel-to-the-temple night with ten audience members. Three in the toilet, two on the payphones, two at the jukebox, three doing shots in a half-listening, half-sloshing defensive crouch at the bar. Best keep them two sides separate, she told her, or you won’t have nowhere to go.

She’d been suspicious of the preacher Divinity from the beginning. Had only a dim recollection of the girl from their time in Cotton Plant. Only a taste of her pining after Rory’s talent like they all had; goddamn bitches in heat, she muttered to herself, biting down bitter on the memory, as she waited in the motel room for Rory to wake up.

Divinity had worked her developer connections to get the band better rooms. The men were scattered throughout the building, grateful for the hot water, the working toilets, the springy bug-free mattresses that didn’t cave mid-nightmare, the new hotplates for soup and stovetop coffee to steel their stomachs waiting for the revival concert call time.

When sleeping beauty awakened Katy was perched on the end of the bed with a brush and comb.  She steered Rory to the mirror and attacked her hair, pulling off the oil slick pageboy wig she’d fallen asleep in.

“Don’t sign ten months of your life away to being on preacher girl’s shoestring express,” she said.

“What else can I do, mama? Ain’t like I got people banging down my door with offers.”

“What about that white girl Jude? She got money. Ride her for a little while until something better comes along.”

“No.”

“How’re you going to make money? What are you going to do to support yourself and these piss-ants clinging to your tit? The preacher’s desperate trying to make a name for herself and con you paying crumbs in the process.”

“Now that’s funny because that’s exactly what you said about Jude.”

“Least Jude’s the devil you know. Preacher girl makes like she’s a bigshot in Arkansas. What the hell is that worth but some bullshit with some flies in it. Jude’s got a label, white men eating out of the palm of her hand, all you got to do is ride it for a little while, turn it to your advantage, the world is waiting for you to climb back up—”

“The world ain’t waiting for me to do nothing, Katy.”

“Make yourself believe that it is, baby girl.  That’s your problem now. Keep your damn head up. Make that wish into fact.”

“Have you looked at me, mama.”

“Every day since you were born. And??”

“No amount of wishing, praying, hoping or busting my ass is gonna make me younger and white.”

“Who’s talking about that? I’m saying use Miss Ann’s fear of spooks to your advantage. She claims she want to be us, then hold her to it. Don’t mess with no second, third and fourth rate cut and run revivals with preacher girl.  That’s going backwards in time and twisting up God’s word just to cheat women out of their pocket change.”

“You didn’t seem to have a problem with them niggers twisting up God’s word in Cotton Plant.”

“Don’t call men of God niggers.”

“Oh that’s right, I forgot, nigger is too good for them.”

Rory looked in the mirror. Katy put her hands on her shoulders, soothing, massaging out the kinks she’d gotten from hours of playing bent over the neck of her guitar. The familiar reconciliation pattern they lapsed into after shows where they’d been at each other’s throats over the arrangements, the tempo, the tone, the order of songs, a stray look that burned too long. Don’t fuck with the audience loving you, even if it’s just a lightning flash, Katy’d said. It was the first time she’d heard her mother cuss, a Sunday morning shit storm in a teapot when the show booker shorted them twenty bucks the day before their back rent went was due.

“Have you looked at me, mama?” Rory asked again, avoiding her grinning skull eyes while Katy kept massaging to take the pain away. The melt of her fingers like the boring of lobotomy holes into the scalp, the flutter of demon wings letting the plague out loose into the world. Rory took Katy’s hand, guiding it to her breast, her thigh, sliding the skeleton knuckles between her legs, letting them come to rest where the good men of god did their communion.

Katy stood, unflinching, listening to the wings flap, the quiet rasp of her child breathing, older now at fifty seven than she had been in life, the mewling, half-blind sea creature thing that she’d spit out of her own womb decades ago blast now to smithereens, to the four corners of Mars, barely recognizable in the cold light of day.

“Did preacher girl watch?” She asked.

“Yeah,” Rory said.

She kept her hand between Rory’s legs. Feeling her pulse, the damp crease of her lips.  Their blood running in a river of alien women snaking through Cotton Plant to Africa, ending with Rory, leaving nothing.

“Someone has to pay,” she said.

 

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Brian Wilson’s Pipsqueak Twang, 1964*

TAMI show

By Sikivu Hutchinson

Got her first paying job at ten drying dishes in a tea shop, socking away the white lady proprietor’s bottom of the wishing well pennies in a jam jar. Dream was to buy a record store, own a chain of them, produce a few blue-eyed soul singers, groom them pretty, put them in matching suits, syncopated dance moves, fried hair straightened to a T; fly overseas to where the Brits were taking Negro music with their milk and porridge and growing into war machines, death merchants running down governments and whole villages in Vietnam, Cambodia, Laos. Goal was to make her own killing for sure. Market the real deal. Everyone else was making bank so why not her. Who better to bottle the hip cock, the language, the math of it all than her. In the body she was living in, the disintegrating one with sickle cell and bile and spit that she used to polish her cut legs after fights with the other foster home girls, she never got farther than the four walls in her plotting. She had an empire when she closed her eyes and made semi-peace with the time she was losing in the gap between vision and execution. Every second, every minute, every hour, getting closer to where the exact nature of her death would be delivered up to her on a silver platter.

She found the T.A.M.I show and Elysian Church around the same time. Getting up and going to work every morning a galaxy away in Hot Springs and the TAMI concert had the biggest R&B and rock ‘n’ roll acts in the world in California. Stone’s throw from miles of golden sand and white ladies laid out in whale blubber formation, buried under dark shades and pop idol magazines on the shore. She’d never been to a beach before, never seen any kind of large body of water that wasn’t in a map or picture book, that churned with the skeleton goulash of doomed boats, planes, explorers, slaves; sea the color of frog hide green and unknown. Mildly obsessed with the concert and all its wriggling, camera-mugging teen stick figures, burnt blond, straight teeth, carefree, euphoric in network TV black and white, or so she imagined, wanting to fuck Brian Wilson’s pipsqueak twang down to a croak, listening to playback snippets on the only radio station that came in clear when she was doing dishes and plotting her bus route home.

Wish they all could be California girls surfing U.S.A. up shit’s creek.

In forty years, she fantasized that she’d be beyond that. Beyond the wet behind the ears awe for simple things, for fat hooks on a summer day, for white girls’ who had the world by the balls, flaunting it to the rest of the universe. By then, her DNA would be ghosting suspect through another generation. By then, music would be a telepathic trick, a sleight, a matter of thought and concentration, crackling brain cells, black vinyl melting on history’s dust heap, first editions the price of a piece of bubble gum race records snug behind museum plate glass.

Elysian helped her recover from the white girls. Impressed from jump by the first Sunday service she attended. All the opportunities they trumpeted. Nursery school for her youngest, a softball team, hot meals and arithmetic prep for her struggling middle boy. She plucked out the friendly faces from amidst the suspicious shifty-eyed ones, the switchboard operators who made a few more nickels a week, the ones wallowing in judgment over her clothes, unkempt babies, no man status, the halting cadence of her speech, how she read scripture with her finger tracing the page. There was something, though, about the way Divinity stood over the congregation and demanded people take stock of themselves in all their quivering, cherry jello smallness. Nobody could hide, make excuses, slouch, bow down to mediocrity or piss on anyone else from on high. ‘Cause all us sinners are naked in the eyes of God.

*From Rock ‘N’ Roll Heretic: The Life and Times of Rory Tharpe

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$15 Motel Room

Jamerson

By Sikivu Hutchinson*

Card watched the Little Rock lightning crack through the sky and took another bite of orange. Rind, sticky pulp, seeds and all. An acid plague in his buck teeth. Rind was medicinal, kept the doctor and the quacks away, would heal his small intestine, make it museum ready, something modern science could slap in a jar, keep him buzzing through the night on the bass guitar when everybody else was six feet under and punked out by god.

Heaven’s a piss pipe dream mothafuckas.

He didn’t know what he was doing now but hanging on by a thread. Following the others. Treading water. Drowning in a sanctified vat of wishful fucking thinking. Matching Mick’s desperation pound for pound with something Tasmanian devil mangier. He was gonna call the service, tap the business card he’d found stuck on the gas station bathroom door when he was buying beer and Cheetos. The fix that stalked him in every city he’d rested his ass in for a week or three. Telling himself not this time, Cardinal Jamerson the III, not this time, son, be upright, be moral, be a secret knight in shining armor for the sake of your baby girl, nestled in her bed next to her mama in big fat foam curlers snoring one fish two fish red fish blue fish.

They were promised a big crowd for opening night at the tabernacle. Top billing before the organ grinders, jugglers and pie eaters. Part of him looked forward to dazzling the holy rollers. They all loved them some Motown. Fucked to it, daydreamed to it, crapped to it, procrastinated to it, blew a month’s paycheck to it, rode elevators to it up and down and down in an endless death spiral of work, the legions who came to the concerts then woke up manic depressive the next morning to climb the spine of whatever starless city they lived in.

He unzipped his pants. He couldn’t get hard if the Confederacy got resurrected and forced him to at gunpoint. The room was cold, his mind going in circles, fixing on the last conversation he had with the Motown accountant, the one where he’d been purged out of the system, his old employee number reassigned to a desk clerk. A whole employee number, seven golden digits of his own. A passport saying he wasn’t just a temp, a shrug of the shoulder paid under the table with a few sticky, mob boss Benjamins. For awhile he’d acted like he was the big shit. Treating family, a mess of aunts, uncles, sniffing around something for nothing second and third cousins to Sunday fish dinners, bowling parties, shopping sprees at the first boutiques to dip their toes in the water of letting Negroes try on clothes. Thinking it was all gonna lead to something better, deeper, permanent. His name in Klieg light white on his own record album. A roomful of studio musicians at his beck and call. A producer who’d snap crackle and pop to his commands. A pad that he could put first and last on, decorate a little, ride into the new decade. His baby girl and boy properly situated with their own separate rooms, weekends at the park, the roller rink, wherever, whenever.

Raining, raining, raining, now. A biblical bullfrog jumping flood.
He ran outside with his shirt open, savoring the rain on his skin, brown strips of it peeling off in stinky orange smut. Mutant dregs of his parents. Cardinal fucking Jamerson, the III. Motown’s heart, lungs, gut, blood stuffed in a fifteen dollar a night motel, aborted.

*From Rock ‘n’ Roll Heretic: The Life and Times of Rory Tharpe, Fall 2019

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White Nights, Black Paradise, The Play: Casting Notice

Stage play casting for White Nights, Black Paradise:
 

Taryn Strayer, an African American lesbian accountant in her late 30s-late 40s. Intelligent and reserved.

Zephyr Threadgill, a fifty-something African American woman who enjoys her unofficial role as Temple “prosecutor”.

Carol, a white woman in her early 30s. Shrewd, realist, right hand woman/lieutenant to Jones and mother of one of his children.

Production run info: November 30-December 2, 2018

Rehearsals: late September-show run

Venue: Hudson Theatre, Mainstage

Salary: Paid rehearsals and negotiable

Send resume, head shot and IMDB reel to

Contact: Sikivu Hutchinson, shutch2396@aol.com
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L & D

baby foot

By Sikivu Hutchinson

What would have been my life is blackness.  But here I am on my skateboard.  Kick, ride, kick.  Black as the rhythm of stones being thrown against a car bumper or respirators sighing in unison, marking time in intensive care.  It is me against traffic.  Faceless boy.  Nameless face.  A stick figure watching the preeners lolling toothily into their car side mirrors, the press-on nail texters smearing out the seconds between red light green light, the dandelion yellow school buses idling out the last twenty minutes before the school bell rings and a blitzkrieg of jeering children descends.

The first time I heard boys laughing they were playing the dozens about punk-faced ‘fags’. The punk in B6 who they said walked like a princess.  The punk in the cafeteria who spoke all proper and shit.  The punk who brought a lunchbox with the daintiest fairiest of pink in the logo.  Batted his eyes.  Undressed us with each blink as we stormed the urinals in the bathroom.  Pirouetted and spread his arms out wide, lissome as Bambi.  I was ready to join the punk conspiracy, to surrender to them, waiting outside the gates of the playground with a pack of Red Vines for anyone who’d let me in. I could read their lips against the thrum of the dodge ball, feel the savage smash of rubber on the asses of stragglers caught in the fifth graders’ gladiator pen.  I willed myself into the middle of each game, snatching the ball from a third grade piglet, tongue green with jawbreakers from trick or treat.

The tall one with the Hello Kitty keychain has been my nurse for the past few days.  From 6 am to 6 pm we’re united in smell, arthritis cream under her fingernails, tomato juice on her breath filching into my sweaty white hospital sheets as she soldiers through her routine, noting each new arrival, the hushed parade of doleful relatives, the mothers doped up, zombified, bereft after the furor of delivery.

Every misshapen infant skull is part of her queenly dominion.  She measures and sizes up and scrapes off dead skin, the room a blur of lumpy wriggling pustulous bodies.  And when no one is looking she takes my foot into her hands. Sucks each toe clean as a finger-licking wishbone while snow piles up all around us in plastic drifts.  As a child in Minnesota snow season was her most treasured memory. The glee of pushing her baby brothers on their sled, plying them with snowballs, a blow to the head for each sin they’d committed by 7, an ice bomb to the occipital for being dirty blond little princes to her mousy brown drudge.

All my dodge ball boys circle jerk for snow.  Dream of pummeling each other into snowy oblivion.  Dream of coming out French kissing; their cub tits hardening beneath their Laker jerseys.  In the Southern California drear, the endless drear of newborn June, none of them have seen snow.  But I have, and now I will be their secret envy.  I will be picked first, allowed to cut in line, to have my pick of ice cream, to get dibs on the biggest scoop with chocolate sprinkles.  Send my drippy valentine to the nurse as she suctions fluid from my belly button, readjusts the tubes taped to my nose, diddles the gilt K-mart cross in her pocket, gives me her God’s blessing in a gin-soaked whisper.  She’s been hitting it, hitting it all night in her studio apartment over the twenty four hour Laundromat on Berendo.  Hitting it as the talk shows bleed into vibrator infomercials.  Hitting it as the test pattern prattle of the morning news crests and she starches up her uniform, burning it into the ironing board.  Our Lord art thou in heaven, fucker of little children, hallowed be thy name.

They taped a name to my bed.  First name, last name, all mongrelized letters in Martian code.  When I tried to pronounce it all I got was a glub of old amniotic fluid, underwater spit that the nurse dabbed quickly from my mouth.

A boy on the playground has the same name.  Initials are NK.  His mother comes to pick him up after school.  I slide into the backseat with my Red Vines and my ruff and tuff lunchbox, nodding brightly to his boasts about winning the candy drive, acing the new video games his friend Antoine lent him, wondering if he’ll notice me after all these weeks of obedience.  In school he is tender wriggling meat on the spit of the big girls prowling the lower grade playground for virgins to bounce water balloons off of.  Because his ride comes every day like clockwork he’s the mama’s boy, her double, her twin; look, they have the same squint when they shit.  Sitting here I see the symmetry to the backs of their heads.  His picks up where hers left off.  He is her when she fell from her tricycle, stole candy from the corner store, darted out into the middle of rush hour traffic on a triple dare, bit the hand of the nice family man with the blue eyes who likes to jerk off in the ashtray of his car right when the last bell rings. The crumbs of her DNA make a horseshoe birthmark on the side of his neck, crackling through each dark tendril of hair, bequeathing the code that will make his hairline recede in ten years at the height of his prancing studliness.

We watch the kids swarm the 7-11 with fistfuls of quarters for hot Cheetos, aisles ablaze with Friday afternoon emancipation.  They hoist Cheeto bags over their heads like big game, brushing by the church boy predators tricked out in Jesus bling looking for someone to mate with.  I lean into N’s ear, his right lobe is all baby oil and pea soup and the musty smooch of the family Cocker Spaniel sprawled dutifully across his bed.  We roll through the number streets to his house, past the dead still of men clustered on porches in jobless midday communion.  Past the check cashing places, the body shops, the blinding kindergarten bliss of the crowded public pool.  He’ll invite me up to his room to watch cartoons, be my hope to die, my refuge for one full episode.  I’d go anywhere with you, I croak, blowing dandruff from his bony shoulders.

Last night I took a crap for the first time.  A good sign, a robust issue, an imperial stool, the visiting team of specialists said, jotting the miracle down on their clipboards as they made the rounds through our gurgling colony of in limbos, swapping bets on who’d make it out alive to taste the clear blue, to see the sunshine unfiltered by the grates of hospital windows, to revel in the stench of the first fuck, feel the highway slithering under them on a cross country drive.  To grow old enough to fear death and start the fool’s bargain.

–You’re a perfect angel, the nurse whispered to me tonight. She ran down her checklist one last time before the end of her shift, avoiding the downward sag of my gaze, my purple lips puckering full tilt.  Her head is cocked, listening for rush hour traffic as I flatline past on my skateboard.  Kick, ride, kick.

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Nashville, 1978

 

RRH final

Sound check.  Cochlea peeling feedback.  Tuning till doomsday, then more tuning.  Roadies flopping and panting across the stage, lion taming cables, speakers, amps.

C to E minor was home for her. Shudder, slide, shudder. Then thump the strings with the right hand, pop ‘em upside the head like a sobering smack for a falling down drunk sprung from a dive.  They were the first chords she got down cold, that gave her a tingle that lasted for hours until Katy intruded with demands to do laundry, wash dishes or practice hymnals she had to memorize until her throat rang raw.  Save the motherfucking prayers, she thought, angry that she hadn’t said something to Divinity in the moment.  Save that dizzy shit for a more willing dupe.  A captive audience.  A roach spinning on its back.

Nothing happened from above.  No heavenly lightning strike, no incinerating rebuke, no ear to ear knife swipe, no primal samurai sword gutting.  Something about Divinity’s posture, her big show with the bible in the studio, gave her an inkling that she knew the jig was up too.  Grasped a bit of it at least, her preacher thing now running on fumes, wheeler dealer theatrics, the knack she’d had since womb dispatch, the prized Negro gift of oratory honed in debate contests, bathroom mirrors, pews damp with waiting, damp with comingled body fluids. She’d always been blessed with speech, magnificent cut-glass diction, the molasses voice that men who couldn’t find other jobs and wormed their way into the ministry would die for.  The thinking was that Divinity never had to really work for it.  Came into a room and owned it with the alchemical curl of her lip.  Spread her arms and poof.  Still, she hadn’t been able to get her own church until some white philanthropist ponied up for the first year’s lease on a storefront nobody wanted.  Becoming the Phoenix rising after years of roof raising to a handful of families, plotting on phone trees, saving their meager Christmas bonuses for her collection plate.  They would help her. An invisible, dear devoted core getting back at all the bishops and prophets and pillar men who’d spewed we shall overcome at marches in Little Rock then blocked her path at every ecumenical board and committee meeting.  She’d memorized their home numbers, spouses, kids’ names, hobbies. Tendencies.

“Get in your fucking places, blokes,” a roadie yelled at the arena attendants picking up junk in the aisles.  “Shit, we don’t need to eat off the floors.  Fuckers will probably trash the place anyway after Jude leaves, judging from those groupie crazies at the radio station. Miss Tharpe, we’re ready for you and your boys.”

Card, Thurston and Butch filed onto the stage silently, corralled by Mick hours before, backbiting put on hold for the moment.  Rory plugged in her guitar, the air rippling with the bustling attendants, some stopping to watch as she cued up a fast arpeggio churning blues number.  The three of them plodded through their parts, Thurston cueing up too fast on the downbeat, Butch letting loose a scattered bridge and Card slapping his bass ragged with his open hand.

“Get it together,” Rory growled as they shambled to a close, the clock ticking down to Jude’s entrance.  It had been years since she’d been in an arena that big, cavernous, bumptious, baby goblins of stage fright coming at her, antsy, suddenly, about Divinity being in the audience, tossed among the record company execs, assassins with submachine guns lurking in the exits sitting in judgment with her cartoon bible.  They would play all the mainstays. Throw in an original that Rory squeaked out after months of stewing inactivity, procrastination, doubt, when she’d tried to write at the end of meals, hiding in the toilet, collapsing on the edge of her motel bed with the guitar, mixing up chords at every angle, the C to E minor old faithfuls failing her in the face of figuring out installments on four months of unpaid doctor’s bills for her back pain and gallstones.

These were all alien matters to Divinity, she was sure. Shielded from calamity by her god force field, her sharp nose for profit and hoarding and saving every penny she got. In the news clips her second cousin sent from back home she’d read about the cathedral and community center Divinity was trying to build with the aid of white donors, rumors that she’d fucked one or several of them spread by her nemeses on the Baptist convention boards. A secret part of her relished the smear, the whiff of freshly ground dirt spread over the old neighborhood’s prudish high regard for the budding junior prophetess of 1930.

They finished the rehearsal and went backstage to their dressing rooms.  Card and Thurston haggled over a joint.  Butch did his ritual finger dunk in warm water and Epsom salts, bracing for the long night. Mick lingered in the corridor, going over the set list, busying himself with the smallest logistics, breaking out his inhaler for strategic hits when no one was looking, avoiding Rory’s orbit, swallowed up in the turbine of Jude’s handlers and sycophants.

“Fifty minutes to showtime, motherfuckers,” a voice screeched over the loudspeaker.

“Let’s blast these rednecks back to the swamps,” a tech chortled from behind the towering Marshall stacks anchored in an iron wall around the stage.

Rory walked back out onstage for one last look.  The attendants stood poised in place at the arena exits, seat rows bathed in the dank glow of the footlights.  Katy sat in the back, blue put-on-airs Monday night revival meeting hat perched on her head, nodding to something.  Precious Lord.  Take my hand.

 

Cotton Plant, Arkansas, 1930.

Route 9 quivered with the distant menace of engines.  Congregants walking, driving, getting the hang of the rattle traps handed down to them with a wink and a prayer for at least another hundred more miles before sudden death on a two-lane blacktop.  Backbone of Calvary Church headed to an after Sunday service fish fry for the Browns, Clemons, Langhornes off to Cleveland in the morning for railway jobs, weekend shifts in sanitation, road maintenance.  A damp evening showcasing child prodigies on piano, guitar, drums with the most suspense and anticipation over the first pulpit appearance of little Divinity Brown offering blessings for new beginnings.

She’d practiced her delivery again and again in the mirror.  When everyone had gone to bed she was still practicing, drawing out words, pausing for emphasis, making musical notes of end phrases like she’d heard bishop do, his kindly russet brown face pushing her to new heights of mastery.

Again and again, in front of him with Sunday school finally over and a barrage of lessons baring down on her, she wended through the scripture lines she’d chosen all by herself, Romans, Jeremiah, First Corinthians, full to bursting with pride at her powers of recall.  How clever, what a big smart girl, what a credit to her name.  The others so plain, less blessed. A few paces farther away from God.

It was the russet stench of bishop’s crotch that woke her up, trickling sweat, tingling with exhaustion in her empty hotel bed.  She always asked for queen-sized, to contain her thrashing, blunt the endless chain of night visitors.

Ten years and three months old fingers.  Just long enough to fit over the head of his cock.  To give her the strength to suffer God’s silence.  To give her the strength to devise the countdowns. Count for the missing tiles on the ceiling.  Count for how many floor tiles she could jump on before hitting a crack.  Count for the number of pinstripes on his suit pants, the creases in the long black preacher robe draping like a sickle over the swivel chair in his office.  Count for the time it would take between the end of her practice sermon and the footsteps approaching in the hallway to reach them. For the doorknob to turn, the crescent of Rory’s face rising in front of them as bishop repositioned her cursed with age fingers to his shoulder.

She got up from bed and took an aspirin. The room shifted into soft focus around her. Warm rain pissed in fits and starts on the roof.  It was only the third integrated hotel she’d ever stayed in in the South. She could feel the tremor of the white bodies who’d slept there before, shrouded in comfort and dream, furtive fucks, sour business dealings over a smoke and Kojak reruns. She fished out her concert ticket.  A good night for a first salvo, to root for our electric girl, for Cotton Plant’s long heralded resurrection.  She laughed to herself, went to the closet, picked out a new outfit, new armor, not too pastorly, straight or prim for the rednecks and gutter heathens who’d paid top dollar to see their clay footed goddess Jude.

Pinstripes.

She showered off the night visitors, dressed and went downstairs.

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The Monstrosity

RRH final

On Rory:

It was the humming that got her.  The spontaneous eruptions at the grocery store when Rory was in line with her lethal favorites, a bottle of Jack Beam and a can of creamed corn.  The floating slips of atonality that dragged her by the ear at the gas station putting another round of diesel in the bus with the last of Mick’s state disability checks.  The gurgling snatches from a cracked car window cruising by at the end of the day; the driver finally having settled on a station that wasn’t playing commercials.  Just one motherfucking station, just one.  It was that miserable squealing like a stuck pig summer when it seemed the whole globe was blasting Jude’s new song in unison.  A twelve-bar Monstrosity that she claimed she’d dredged up from the bottom of the Delta, nicotine fingernails dirty and squirming with the muck of the ancestors one generation removed from the Middle Passage, she drawled in exclusive interviews with the European trade mags.

As crotch sticky and miserable as the tread of June to August was there was no worse torture than the hijacking of the airwaves and every inch of the audible world by the Monstrosity.  She swore off all media, Jack Beam, creamed corn, Solitaire, any whiff of diversion that would take her away from practicing, going up and down the fret board in her head, on the back of her seat, trying to tame the petty little niggling little argument between her mind, which swooped away, wandering and worrying mid-chord change, and her disobedient fingers.

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Rock ‘N’ Roll Heretic: The Life and Times of Rory Tharpe

 

Front cover RRH

Due Fall 2020

“Those white boys on the major labels would never give an inch to a Negro woman playing race music.”

It’s the late 1970s, and ex-Pentecostal Black female electric guitarist Rory Tharpe navigates the cutthroat world of corporate rock, dive bars and dusk-to-dawn recording sessions as she travels the nation in a dilapidated tour bus with her bickering, boozing all-male band.  Much-imitated and little-credited, Rory is in a midlife tailspin when she’s asked to tour with international superstar Jude Justis, a white woman “blues” singer who built a turbulent mega-platinum career out of stealing from black musicians. Frustrated by the racism and sexism of the rock boys club, Rory warily joins forces with Jude then takes a detour through the painful past she shares with childhood nemesis Divinity Mason, an unorthodox pastor at the helm of budding mega church empire Revivals, Inc.

A homage to maverick guitarist Rosetta Tharpe, Rock ‘N’ Roll Heretic is a bracing look at the power politics, heartbreak and hypocrisy confronting a queer black woman visionary at the intersection of music and commerce, faith and heresy in a segregated music industry forged that eats its black artists.

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